The art: Leon Golub, Interrogation I, 1981.
The news: “Crazy Talk on Torture? Blame Obama,” by Andrew Cohen for TheAtlantic.com.
The source: Collection of The Broad Art Foundation, Santa Monica, Calif. Michael Glover breaks down the painting for The Independent (UK).

The art: Leon Golub, Interrogation I, 1981.

The news: “Crazy Talk on Torture? Blame Obama,” by Andrew Cohen for TheAtlantic.com.

The source: Collection of The Broad Art Foundation, Santa Monica, Calif. Michael Glover breaks down the painting for The Independent (UK).

Posted by modernartnotes
November 14, 2011 11:00am  |   URL: http://tmblr.co/ZK7Y6yBwTXTx
(View comments  
Filed under: art politics news torture The Atlantic 
The art: Barbara Kruger, Untitled (Questions), 1991. (The work is photographic silkscreen on vinyl, 66 3/16 by 92 5/8 by 2 1/2 inches.)
The news: “Getting Away With Torture: Dick Cheney’s memoir shows the importance of the law, not torture,” by Dalia Lithwick for Slate. 
The source: Collection of the Hessel Museum of Art, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY. This work will be included in the MoMA PS1 exhibition “September 11,” curated by Peter Eleey. The show opens on Sept. 11. 

The art: Barbara Kruger, Untitled (Questions), 1991. (The work is photographic silkscreen on vinyl, 66 3/16 by 92 5/8 by 2 1/2 inches.)

The news: “Getting Away With Torture: Dick Cheney’s memoir shows the importance of the law, not torture,” by Dalia Lithwick for Slate. 

The source: Collection of the Hessel Museum of Art, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY. This work will be included in the MoMA PS1 exhibition “September 11,” curated by Peter Eleey. The show opens on Sept. 11. 

Posted by modernartnotes
August 31, 2011 1:02pm  |   URL: http://tmblr.co/ZK7Y6y8_2CIo
(View comments  
Filed under: Cheney art books news politics torture Slate 

The art: Adam Helms, Untitled (48 Portraits, 2010), 2010. Installation view.
The news: “The History of Torture - Why We Can’t Give It Up,” by Colin Woodard for The Quarterly Journal of Military History and HistoryNet.com.
The source: Marianne Boesky Gallery.  

The art: Adam Helms, Untitled (48 Portraits, 2010), 2010. Installation view.

The news: “The History of Torture - Why We Can’t Give It Up,” by Colin Woodard for The Quarterly Journal of Military History and HistoryNet.com.

The source: Marianne Boesky Gallery.  

Posted by modernartnotes
August 11, 2011 2:48pm  |   URL: http://tmblr.co/ZK7Y6y8BjiIS
(View comments  
Filed under: art black and white torture 
The art: Daniel Heyman, The Broomstick Was Metal, 2008.
The news: “NYT and ‘torture’: Searching for a justification,” by Glenn Greeenwald in Salon. Christopher Knight reviewed Heyman’s exhibition, “Bearing Witness,” at the Laband Art Gallery at Loyola Marymount University in the Los Angeles Times. On Modern Art Notes, I discussed the acquisition of his work by the Library of Congress.
The source: Laband Art Gallery, Loyola Marymount University.

The art: Daniel Heyman, The Broomstick Was Metal, 2008.

The news: “NYT and ‘torture’: Searching for a justification,” by Glenn Greeenwald in Salon. Christopher Knight reviewed Heyman’s exhibition, “Bearing Witness,” at the Laband Art Gallery at Loyola Marymount University in the Los Angeles Times. On Modern Art Notes, I discussed the acquisition of his work by the Library of Congress.

The source: Laband Art Gallery, Loyola Marymount University.