This week’s Modern Art Notes Podcast spotlights artist Lucian Freud, whose paintings are the subject of a major exhibition that originated at the National Portrait Gallery in London and which is now at the Modern Art Museum of Fort Worth. Titled “Lucian Freud: Portraits,” the exhibition is on view at MAMFW through October 28.
My guests are Pulitzer Prize-winning Boston Globe art critic Sebastian Smee, a friend of Freud’s who has written several books on his work, and Modern Art Museum of Fort Worth chief curator Michael Auping, who helped organize the exhibition and who conducted the last interviews with Freud before his death last year. Smee and I also discuss art and museums in Boston and New England, and his new e-book, titled “Frame by Frame.”
Among the Freud portraits that Auping and I discuss is this one, a rather anti-erotic nude. Why is it so un-erotic? It’s Freud’s daughter, Rose.
To download the program directly to your PC/mobile device, click here. Subscribe to The Modern Art Notes Podcast via iTunes or RSS. See more images of art discussed on the program here.
Image: Lucian Freud, Rose, 1978-79.
![Today on Modern Art Notes: The second part of MAN’s review of “de Kooning: A Retrospective” at the Museum of Modern Art. I’ve been focusing on de Kooning’s best most important work, his figurative paintings, in my write-up. Today I look at his last two series of paintings of women.
[Image: de Kooning, Woman, 1964-65. Collection of the Hirshhorn Museum and Sculpture Garden, Washington.]](http://25.media.tumblr.com/tumblr_lsaft5D9dO1qe0into1_500.jpg)
Today on Modern Art Notes: The second part of MAN’s review of “de Kooning: A Retrospective” at the Museum of Modern Art. I’ve been focusing on de Kooning’s best most important work, his figurative paintings, in my write-up. Today I look at his last two series of paintings of women.
[Image: de Kooning, Woman, 1964-65. Collection of the Hirshhorn Museum and Sculpture Garden, Washington.]
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