The art: Ed Ruscha, from “Thirtyfour Parking Lots in Los Angeles,” 1967, also as a set of gelatin silver prints Ruscha made in 1999.

The news: “Taking Parking Lots Seriously as Public Spaces,” by Michael Kimmelman for the New York Times.

The source: In the collection of many institutions, including the Museum of Modern Art, New York. The Walker Art Center, Minneapolis, has a complete set of the gelatin silver prints.

1. hhsol reblogged this from 3rdofmay
2. whirl-on likes this
3. james-kennedy reblogged this from 3rdofmay
4. warnick reblogged this from iteeth
5. amesentinelle reblogged this from 3rdofmay and added:

   The art: Ed Ruscha, from “Thirtyfour Parking Lots in Los Angeles,” 1967, also as a set of gelatin silver prints Ruscha...

6. andrewyancey reblogged this from 3rdofmay
7. fig-6 likes this
8. manofano-n likes this
9. penguinist likes this
10. vitorteixeira likes this
11. oliverparini likes this
12. presentationovercontent likes this
13. thefuturebackwards reblogged this from 3rdofmay
14. colettefahy reblogged this from 3rdofmay
15. laurasalnais likes this
16. fuckartmakeads likes this
17. moomle likes this
18. ppppgggg likes this
19. terryhays likes this
20. tiffany3451 likes this
21. thisalmanac reblogged this from 3rdofmay
22. readygo258 likes this
23. missbirdsong likes this
24. This was featured in #Art
25. 3rdofmay posted this